<?xml version="1.0" encoding="iso-8859-1"?>
<rss version="2.0" xml:lang="en-us">
  <channel>
    <title><![CDATA[RMS Community Calendar (c) 2009 Alison Michel]]></title>
    <link>http://realitymaintenancesystems.com/</link>
    <description><![CDATA[RMS Community Calendar (c) 2009 Alison Michel]]></description>
    <language>en-us</language>
    <generator>:"http://www.k5n.us/webcalendar.php?v=v1.2.0"</generator>
    <image>
      <title><![CDATA[RMS Community Calendar (c) 2009 Alison Michel]]></title>
      <link>http://realitymaintenancesystems.com/</link>
      <url>http://www.k5n.us/k5n_small.gif</url>
    </image>
    <item>
      <title><![CDATA[Pocono Mountain Lighting Workshop]]></title>
      <link>http://realitymaintenancesystems.com/view_entry.php?id=99&amp;friendly=1&amp;rssuser=__public__&amp;date=20100925</link>
      <description><![CDATA[The Pocono Mountain Weekend Workshops were established as a way to give film and Video professionals, as well as new-combers to the field, the opportunity to learn just how to establish a great production look for any program, regardless of the camera format or capture medium. The Lighting workshops are taught with a cinematic approach as a way to bridge the Film Look to Video (HD) capture gap. The electronic chip renders light on a subject differently than what film does; to achieve beautiful lighting for HD, we must manipulate existing fixtures to accommodate the chip and learn to light while maintaining a tight exposure range. The Pocono Mountain Workshops have often been referred to as A Film DP Lighting Workshop for HD. 

These NO BULL-NO FLUFF workshops will teach you what feature film DP's have known for years as we apply the same techniques for use with video (HD) formats. The weekend workshops are designed to give you as much experience as we can cover in the time frame allotted, so come prepared to work! The workshops are held at the studio at Tom Musto Productions Inc. 

The workshop includes an introduction to how lighting by impressionistic painters influence our lighting today, and how to control exposure ranges and latitudes for HD formats, while using a light meter, so that every shoot-outcome is precise and intentional and not Hit & Miss. This is for the serious video/film maker. To register or for more information on lighting and camera classes or to see the 2010 schedule: www.videolightingclass.com 
]]></description>
      <pubDate>Sat, 25 Sep 2010 04:00:00 GMT</pubDate>
      <guid>http://realitymaintenancesystems.com/view_entry.php?id=99&amp;friendly=1&amp;rssuser=__public__&amp;date=20100925</guid>
    </item>
  </channel>
</rss>